I'd much rather lay in my bunk all freakin day lookin at Youtube videos .
i cringed at the drawing of the arc
other than that it was nostalgia for how my dad taught me geometry with a rule and triangles and dividers at first but later a framing square
lovely video
Simpler is better, except when complicated looks really cool.
How do you re-square a square? I’ve got a couple that are off.
"George Washington as a boy
was ignorant of the commonest
accomplishments of youth.
He could not even lie."
-- Mark Twain
Carefully...
Bent legs take some time. Fortunately I've never been confronted with that serious a defect. Dings along the edges are easier, they get filed off.
As for re-squaring, that metal stretches is your friend here.
With center punch & decent hammer you peen the corner to effect movement between the legs until those edges are 90° to one another once again.
First step is to find / make a straight-edged board you can use as your template. With the square and a sharp pencil (knife-point's better, the line it scribes is finer) scribe a line perpendicular to the straight edge using both sides of the inside or outside angle of your square.
Try hard to start both lines at the same point along the board's straight edge. The wider the board the better 'cause you're looking to determine how far apart those two lines are at the other side of the board.
If you used the inside edges for both lines, and those lines grow apart as they cross your plank, your legs are less than 90°. Using your center punch & hammer make a series of small strikes along a line between the inside and outside corners of your square.
The idea is to stretch the metal there, forcing the legs to move in relation to one another. You want to try to do the same to both sides of the square too so you don't force those legs out of plane anymore than they already might be.
Squared_up!.jpg
If those first two scribed lines converge, you need to do the strikes to the outside of the corner so the legs get pushed inward.
Go slow, re-test your progress often to stay on the right side of the intended movement so you don't have to back-track making more strikes than necessary to bring things back to where they'd been. You get to a point you can't see those two lines as two lines, you're done.
I have no idea how old gramp's square was when he passed it on to me but with care and attention it'll still be fully capable of doing the job it was made for a lot longer than I'll be able to claim...
Beat me to it....
That square wasn't when it left the factory last week.
Mine probably wasn't either when it did 100+ years ago, but it is now.
I learned something with the question you asked bluedog225; always wondered how I can 'correct' a tri-square. That Utoob UCanoe_2 posted led me to this'n:
https://youtu.be/bCxIg1lQ8pw
Last edited by sp_clark; 12-21-2020 at 09:51 AM. Reason: Yet More Info
One of the traditional marking tools is a bamboo fine line dip pen - which explains the non-touching edge.
I'd much rather lay in my bunk all freakin day lookin at Youtube videos .
Also, sorry, but it made me think of this...
You would not enjoy Nietzsche, sir. He is fundamentally unsound. — P.G. Wodehouse (Carry On, Jeeves)
I don't know whether the current generation of carpenters know all the ways of using a framing square.I never did know that many but knew a few old timers who could use them as a calculator for all sorts of complex stuff and then they could mark it accurately and cut to the line with a handsaw.The tables engraved on the faces covered lots if you knew where to look.These days there is probably an app for that.
Other than being able to bend the leg to scribe an arc, there is nothing extraordinary about that square and nothing he did couldnt be done with a western framing square.
The rafter tables on a framing square give you everything you need to know to layout and cut rafters for just about any roof you could possibly imagine, including hip and valleys rafters, mansard and gambrel faming.
The ink line is however far far superior to a chalk line if you need dead nuts accuracy.
Last edited by Hugh Conway; 12-22-2020 at 11:20 AM.
I used to use ink lines fairly often, mostly when working with round material like logs. Eventually I got tired of dealing with the mess they can be; ink on hands, tools, clothes, errant drips and splatters, fixing a botched line… And they can be a hassle when working in freezing conditions.
You can snap fine quality, accurate chalk lines with the right kind of line. Maybe not as crisp and sharp as a really good ink line can be, but good enough for most work needing a snapped line. Some braided fishing lines work well for chalk lines. I usually run them through a piece of pinched sandpaper to rough them up a little to better hold the chalk.
My Japanese square has marks at 4.24” increments: the diagonals of 3, 6, 9, 12” side squares.
Diagonal of 12:
IMGP0156.jpg
16.97" is marked on some conventional framing squares for doing hips and valleys.
I like the soul that goes into these Japanese squares. I have a Shinwa framing square, stainless, very nice, but strictly Western design.
Last edited by SMARTINSEN; 12-22-2020 at 07:57 PM.
Steve Martinsen
Thanks gentlemen. I’ll give it a shot.
The fitting of the sill between the two twisted posts was great....if only I can remember how when I need to.